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然而,我觉得这在电影上并不一定是种优势。正如你所提到的,韩国电影现在已经陷入了极其艰难的境地。它正在经历一种“断崖式”的衰落。现在的状况非常糟糕,几乎没有观众了。票房数据简直惨不忍睹,跌到了一个令人绝望的水平。在疫情暴发前,电影曾是韩国人的骄傲,但现在,我觉得这种骄傲可能正处于强弩之末。这一现状令人沮丧。但与此同时,我觉得韩国人会继续去“适应”。即使是网飞,对于新一代人来说也不再是新鲜的商业模式了,他们更习惯于YouTube或TikTok的那种节奏和时长。我觉得韩国电影会向那种现实靠拢。但到那个时候,它还能被称为“电影”吗?可能不再是了。

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